สร้างเมโลดี้บน Dm7 - G7 - Cmaj7 - Cmaj7

The F and B inside G7 resolve by a half step and a whole step into the E and C of Cmaj7. That tritone motion is what creates the landing, so hitting E or C on the downbeat of bar three feels resolved. Over Dm7 the 9th (E) is available and sits naturally.

This explanation is only available in English for now.